“Goodbye, dopey kitty cat”: Jonas as
Human Sacrifice in Hugh Wheeler’s
We Have Always Lived in the Castle: A
Melodrama in Three Acts

By Kelly Suprenant

Dirty Dirty Lizzie: Visualizing Midcentury Narratives of Psychoanalysis and Intimacy

By Emily Naser-Hall

“We wouldn’t belong in the suburbs…we’re real people”: Shirley Jackson, the Housewife Image, and the Transdomestic Networks of Ladies’ Home Journal

By Tyler M. Dick

Jackson and the Haunting of the Stage

By Kevin J. Wetmore, Jr.